When I was seventeen, I drove to Missoula, Montana, to learn how to fly-fish. The town is one of the best places to fish in the country. Rivers with names like the Bitterroot and Blackfoot crisscross the valley harboring trout the size of walruses. I spent that summer learning to cast and looking for the eddies and pools where fish might be lurking.
It was published in and shortlisted the same year for the Booker Prize.
The novel also won the Whitbread Book of the Year Award the year it came out. Masuji Ono is a retired artist who has earned a high degree of prestige with his art.
When Masuji Ono concludes his actions were wrong and lamentable, he nevertheless finds his family wants to get back to a prosperous, normal life.
They would rather believe in his prestige, without considering the questionable nature of his involvement in the war. A year ago, a family had abruptly backed out of the marriage negotiations and while Masuji Ono thinks the family pulled out because of their lower status, his daughters wonder whether there is something in his background that pushed the family away.
As Japan became more and more nationalist in the s, he turned from art to nationalist propaganda, and became a prominent leader of the artists calling for Japanese nationalism and imperial expansion. In the post-war years, where many houses and even whole neighborhoods are devastated by bombing, this is no longer a popular position to take.
There is even talk of the leaders who have since committed suicide, as a way to apologize for their role in the disastrous war. As Masuji Ono follows his conscience back into the past, in flashbacks and in visits to old comrades, he eventually sees his role in the national disaster.
This is not the end of the novel, though, for Masuji Ono still has old scores to settle, and Ishiguro still has material to work with.
Masuji Ono is rebuffed when he goes to visit the house of one of his former students—his most promising student—who had been arrested during the war.
When Masuji Ono speaks with his daughter about his role in the war, she refuses to acknowledge any question about his virtues, and insists on remembering only his prestige. It is only with an old colleague that Masuji Ono finds a real sympathy and understanding.
Matsuda had initiated Masuji Ono into the nationalist movement, and now, as older men, they agree about their role in the war. But even though they regret their actions, they know they acted in good faith at the time, and because they have found some forgiveness and understanding, they are able to find some redemption in the fact they had at least tried something rare and difficult, instead of just playing it safe, like many of the artists with whom they worked.
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The Project Gutenberg eBook, Essays in the Art of Writing, by Robert Louis Stevenson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever.
Principal & Founder, Adjaye Associates. Sir David Adjaye OBE is the principal and founder of Adjaye Associates. Born in Tanzania to Ghanian parents, his broadly ranging influences, ingenious use of materials and sculptural ability have established him as an architect with an artist’s sensibility and vision.
An Artist of the Floating World Summary & Study Guide Kazuo Ishiguro This Study Guide consists of approximately 22 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of An Artist of the Floating World.
An Artist of the Floating World by Kazuo Ishiguro. A Japanese artist looks back on his life after World War Two in this celebrated novel from the author of the Booker Prize-winning novel, The Remains of the Day, Never Let Me Go, and The Buried leslutinsduphoenix.coms: