Analysis You are here: There is never a straight path that leaves one with but a sole direction in which to head. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path. The road that will be chosen leads to the unknown, as does any choice in life.
The years in England were crucial to Frost, but they have also caused confusion in straightening out his publishing history — the books appeared in reverse order in America and the poems that appeared in the magazines had in fact already appeared in print, albeit in England.
What mattered to Frost was that his English trip had worked. The wonderful title evokes the rural hinterland of New England, away from the Boston society and economy. It is a region of isolated farms and lonely roads, and it is in writing about that landscape that Frost merges the traditional with the modern to become a writer who is simultaneously terrifying and comfortable.
Working through the problem of choice, by the end of the poem he makes his choice in a famous statement of flinty individualism, the very characteristics said to define the New Englander and Frost himself: And then it becomes clear the neither road has been travelled much at all.
In fact, do the roads even exist at all?
No one has cut a path through the woods. We are following no one. We have to choose, and most terrifyingly, the choice may not actually matter. The determinism of a choice, way leading on to way, in a string of events that becomes a life is unescapable.
And then, the existential rug is pulled out from under your comfortably situated feet with the revelation that you have to make your own road — and it may not be of your choosing. The story that the poet will tell is that: The difference, the life, is created in the telling, something that Frost does, of course, masterfully.
The carefully crafted personae of the New England farmer, a seemingly artless concern for the doldrums of rural life, and an adherence to the traditional forms of poetry, even as those forms were breaking down under 20th-century Modernism.
Frost perhaps succeeded too well in his pose of the apparently artless rube sitting on that wall.
But where he succeeded was in being a truly great poet who also had widely popular appeal. Robert Frost by Doris Ulmann, platinum print, The Road Not Taken By Robert Frost English B23 Liberty University 16 June The Road Not Taken By Robert Frost A stylistic and exploratory analysis of Robert Frost’s poem “The Road Not Taken” uncovering the message from the work received by a diverse audience.
Robert Frost's The Road not Taken: Oral Presentation This 4 page paper gives an overview of the element within the poem The Road not Taken. This paper includes irony, symbolism, representation, and imagery within the Robert Frost poem.
Robert Frost Essay, Research Paper In Robert Frosts poem The Road Not Taken, Frost talks of choosing between two roads to travel.
Frosts poem The Road Not Taken . The Road Not Taken” by Robert Frost – Essay Sample The speaker of the poem “The Road Not Taken” by Robert Frost finds himself at the road fork in a . Robert Frost Homework Help Questions. In "The Road Not Taken," what does the "yellow wood" symbolize?
In the poem's first line, Frost describes the wood through which the narrator travels. Poem #3 “The Road Not Taken” by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim.