Style andTone Transitions Applicants often ignore transitions to their own detriment.
The Play begins on a dark silent set, which evokes in the audience the darkness and pain of the characters memories as well as suggesting their stores have been hidden for too long. Out of the darkness with come truth. The play in scene 1 begins with an army nurse that is being interviewed for a documentary program about her experiences as a prisoner of the Japanese.
It takes the audience straight into the action. The time is now, and Bridie is being asked to recall the events of fifty years earlier.
We are introduced to the shoehorn, given to her by her father as she was about to be posted overseas, and we gain an insight into the arrogance and ill preparedness of the British colonial powers in the face of the approaching Japanese. The dominant motif throughout the play is that of the shoe-horn itself.
Here it represents for her the joys of home and family, a reminiscence of happiness- of life before the horrors of war. As the play progress its symbolism changes.
When Bridie drifted in the sea after their ships have been sunk, Bridie uses it to keep Sheila wake to prevent her from drowning. Despite the seriousness of the subjects there is considerable humour in the way Bridie in scene 1 with how she describes her wartime experiences.
Often a way of deflecting the fear surrounding the incidents can lead to humour. It shows that although there is many hardships they still have hope and their lives to pull them through. With the conflict with Bridie and Sheila, Bridie is angry at Sheila for not trying to keep in contact for 50 years.
Sheila told her that she was in England but she was really in Perth. Bridie is angry at Sheila for giving herself up to the Japs for the Quinine, and for not telling her.
It also was aiming to try to educate Australians about their history. When he wrote the play, Misto was concerned that the pain and suffering that many women endured at the hands of their Japanese captors after the fall of Singapore had been forgotten and had to be tribute.
Misto also evoked a lot of emotions in the audience throughout the play. The attitude to women from the Japanese was horribly wrong as they used them as slaves and people to take advantage with. Misto nailed in questions to find out the truth of what happened in the POW camp and all the relationships Bridie had inside the camp.Blahnik was looking at a new baby-blue-and-lavender crocodile shoe with jewels set into the heel.
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inside. THE KING AND I.
background and analysis by Scott Miller Today, at the end of the millennium, many of the leaders and intellectuals of mainland China are wondering how their country can continue to modernize, to compete with the western nations, while still maintaining their cultural identity and traditions.
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